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Chanteur by Erté
Erté (Romain de Tirtoff)
1892-1990 | Russian-French
Chanteur pour Fourrures
Signed “Erté” (lower center)
Inscribed n°18.198 (en verso)
Gouache on paper
This original gouache from the creative mind of Erté entitled Chanteur for a production of Fourrures embodies the Art Deco glamour and sartorial genius for which the artist’s works are celebrated. Created for Roland Petit, one of Erté’s closest confidants, this costume design showcases the oft-called "Father of Art Deco"‘s creativity and groundbreaking eye for fashion.
Roland Petit was a transformative figure in 20th-century ballet, known for infusing contemporary and theatrical elements into classical ballet traditions. His innovative choreographies brought the visionary great renown and celebrity. Erté’s creations for Petit made the performances even more transcendent, adding greater visual spectacle to the dancers onstage.
In Chanteur, Erté fashions an elaborate red suit for his singing star. The crimson ensemble is punctuated by a fur collar spotted with a cheetah-like print and matching fur cuffs. Erté’s eye for sinuous lines and elegant silhouettes is especially prevalent here, as the fur collar elegantly cascades into the coat’s lapel and gracefully turns into a long articulated seam down the pant’s outer edge. Artful and dramatic, this ensemble is punctuated by matching red shoes that come to a daringly sharp point.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1969
Paper: 13 1/2” high by 9 5/8” wide
Frame: 20 3/4” high by 16 7/8” wide by 3/4" deep
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
Provenance:
Private collection, Paris
M.S. Rau, New Orleans
1892-1990 | Russian-French
Chanteur pour Fourrures
Signed “Erté” (lower center)
Inscribed n°18.198 (en verso)
Gouache on paper
This original gouache from the creative mind of Erté entitled Chanteur for a production of Fourrures embodies the Art Deco glamour and sartorial genius for which the artist’s works are celebrated. Created for Roland Petit, one of Erté’s closest confidants, this costume design showcases the oft-called "Father of Art Deco"‘s creativity and groundbreaking eye for fashion.
Roland Petit was a transformative figure in 20th-century ballet, known for infusing contemporary and theatrical elements into classical ballet traditions. His innovative choreographies brought the visionary great renown and celebrity. Erté’s creations for Petit made the performances even more transcendent, adding greater visual spectacle to the dancers onstage.
In Chanteur, Erté fashions an elaborate red suit for his singing star. The crimson ensemble is punctuated by a fur collar spotted with a cheetah-like print and matching fur cuffs. Erté’s eye for sinuous lines and elegant silhouettes is especially prevalent here, as the fur collar elegantly cascades into the coat’s lapel and gracefully turns into a long articulated seam down the pant’s outer edge. Artful and dramatic, this ensemble is punctuated by matching red shoes that come to a daringly sharp point.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1969
Paper: 13 1/2” high by 9 5/8” wide
Frame: 20 3/4” high by 16 7/8” wide by 3/4" deep
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
Provenance:
Private collection, Paris
M.S. Rau, New Orleans
Erté (Romain de Tirtoff)
1892-1990 | Russian-French
Chanteur pour Fourrures
Signed “Erté” (lower center)
Inscribed n°18.198 (en verso)
Gouache on paper
This original gouache from the creative mind of Erté entitled Chanteur for a production of Fourrures embodies the Art Deco glamour and sartorial genius for which the artist’s works are celebrated. Created for Roland Petit, one of Erté’s closest confidants, this costume design showcases the oft-called "Father of Art Deco"‘s creativity and groundbreaking eye for fashion.
Roland Petit was a transformative figure in 20th-century ballet, known for infusing contemporary and theatrical elements into classical ballet traditions. His innovative choreographies brought the visionary great renown and celebrity. Erté’s creations for Petit made the performances even more transcendent, adding greater visual spectacle to the dancers onstage.
In Chanteur, Erté fashions an elaborate red suit for his singing star. The crimson ensemble is punctuated by a fur collar spotted with a cheetah-like print and matching fur cuffs. Erté’s eye for sinuous lines and elegant silhouettes is especially prevalent here, as the fur collar elegantly cascades into the coat’s lapel and gracefully turns into a long articulated seam down the pant’s outer edge. Artful and dramatic, this ensemble is punctuated by matching red shoes that come to a daringly sharp point.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1969
Paper: 13 1/2” high by 9 5/8” wide
Frame: 20 3/4” high by 16 7/8” wide by 3/4" deep
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
Provenance:
Private collection, Paris
M.S. Rau, New Orleans
1892-1990 | Russian-French
Chanteur pour Fourrures
Signed “Erté” (lower center)
Inscribed n°18.198 (en verso)
Gouache on paper
This original gouache from the creative mind of Erté entitled Chanteur for a production of Fourrures embodies the Art Deco glamour and sartorial genius for which the artist’s works are celebrated. Created for Roland Petit, one of Erté’s closest confidants, this costume design showcases the oft-called "Father of Art Deco"‘s creativity and groundbreaking eye for fashion.
Roland Petit was a transformative figure in 20th-century ballet, known for infusing contemporary and theatrical elements into classical ballet traditions. His innovative choreographies brought the visionary great renown and celebrity. Erté’s creations for Petit made the performances even more transcendent, adding greater visual spectacle to the dancers onstage.
In Chanteur, Erté fashions an elaborate red suit for his singing star. The crimson ensemble is punctuated by a fur collar spotted with a cheetah-like print and matching fur cuffs. Erté’s eye for sinuous lines and elegant silhouettes is especially prevalent here, as the fur collar elegantly cascades into the coat’s lapel and gracefully turns into a long articulated seam down the pant’s outer edge. Artful and dramatic, this ensemble is punctuated by matching red shoes that come to a daringly sharp point.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1969
Paper: 13 1/2” high by 9 5/8” wide
Frame: 20 3/4” high by 16 7/8” wide by 3/4" deep
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
Provenance:
Private collection, Paris
M.S. Rau, New Orleans
$16,500.00
Chanteur by Erté—
$16,500.00
Description
Erté (Romain de Tirtoff)
1892-1990 | Russian-French
Chanteur pour Fourrures
Signed “Erté” (lower center)
Inscribed n°18.198 (en verso)
Gouache on paper
This original gouache from the creative mind of Erté entitled Chanteur for a production of Fourrures embodies the Art Deco glamour and sartorial genius for which the artist’s works are celebrated. Created for Roland Petit, one of Erté’s closest confidants, this costume design showcases the oft-called "Father of Art Deco"‘s creativity and groundbreaking eye for fashion.
Roland Petit was a transformative figure in 20th-century ballet, known for infusing contemporary and theatrical elements into classical ballet traditions. His innovative choreographies brought the visionary great renown and celebrity. Erté’s creations for Petit made the performances even more transcendent, adding greater visual spectacle to the dancers onstage.
In Chanteur, Erté fashions an elaborate red suit for his singing star. The crimson ensemble is punctuated by a fur collar spotted with a cheetah-like print and matching fur cuffs. Erté’s eye for sinuous lines and elegant silhouettes is especially prevalent here, as the fur collar elegantly cascades into the coat’s lapel and gracefully turns into a long articulated seam down the pant’s outer edge. Artful and dramatic, this ensemble is punctuated by matching red shoes that come to a daringly sharp point.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1969
Paper: 13 1/2” high by 9 5/8” wide
Frame: 20 3/4” high by 16 7/8” wide by 3/4" deep
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
Provenance:
Private collection, Paris
M.S. Rau, New Orleans
1892-1990 | Russian-French
Chanteur pour Fourrures
Signed “Erté” (lower center)
Inscribed n°18.198 (en verso)
Gouache on paper
This original gouache from the creative mind of Erté entitled Chanteur for a production of Fourrures embodies the Art Deco glamour and sartorial genius for which the artist’s works are celebrated. Created for Roland Petit, one of Erté’s closest confidants, this costume design showcases the oft-called "Father of Art Deco"‘s creativity and groundbreaking eye for fashion.
Roland Petit was a transformative figure in 20th-century ballet, known for infusing contemporary and theatrical elements into classical ballet traditions. His innovative choreographies brought the visionary great renown and celebrity. Erté’s creations for Petit made the performances even more transcendent, adding greater visual spectacle to the dancers onstage.
In Chanteur, Erté fashions an elaborate red suit for his singing star. The crimson ensemble is punctuated by a fur collar spotted with a cheetah-like print and matching fur cuffs. Erté’s eye for sinuous lines and elegant silhouettes is especially prevalent here, as the fur collar elegantly cascades into the coat’s lapel and gracefully turns into a long articulated seam down the pant’s outer edge. Artful and dramatic, this ensemble is punctuated by matching red shoes that come to a daringly sharp point.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1969
Paper: 13 1/2” high by 9 5/8” wide
Frame: 20 3/4” high by 16 7/8” wide by 3/4" deep
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
Provenance:
Private collection, Paris
M.S. Rau, New Orleans
