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Charles II Silver Mug by Dorothy Grant
Silver Mug
Dorothy Grant
Hallmarked London, 1680
This exceptional Charles II silver mug, created by Dorothy Grant, showcases the rare work of a female goldsmith in the late 17th century. The mug's distinctive bombe form, featuring a reeded cylindrical neck, was inspired by Chinese Yixing stoneware which influenced London styles during this period. Decorated with exquisite chinoiserie, the mug’s surface depicts exotic birds and delicate leaves that epitomize the imaginative blend of Eastern and Western aesthetics prevalent in the 1680s.
Visually, this mug is a striking combination of detailed flat-chasing and subtle matte textures. The elaborate chinoiserie decoration includes plumed birds, long feathered leaves and berries, with one bird holding a berry in its beak. A matte border with undulating puff-like peaks encircles the lower portion of the mug, adding texture and depth to the design. The bombe shape and reeded neck are balanced by these intricate designs, creating a harmonious and elegant work of art.
Dorothy Grant, the widow of William Grant, continued her husband’s craft after his death in 1677, a practice common among women goldsmiths of the time. She would go on to take two of her sons as apprentices, keeping the profession within the family. This item signifies Grant’s status as a goldsmith working independently, highlighting her role in London’s goldsmithing community. This particular mug is an extraordinary example of her craftsmanship, combining both artistic merit and historical significance. This mug was once part of the iconic Red McCombs Collection, which has been highly publicized and studied.
3 3/8" high x 4 1/2" diameter
Provenance:
M.S. Rau, New Orleans
Red McCombs Collection, Texas
M.S. Rau, New Orleans
Dorothy Grant
Hallmarked London, 1680
This exceptional Charles II silver mug, created by Dorothy Grant, showcases the rare work of a female goldsmith in the late 17th century. The mug's distinctive bombe form, featuring a reeded cylindrical neck, was inspired by Chinese Yixing stoneware which influenced London styles during this period. Decorated with exquisite chinoiserie, the mug’s surface depicts exotic birds and delicate leaves that epitomize the imaginative blend of Eastern and Western aesthetics prevalent in the 1680s.
Visually, this mug is a striking combination of detailed flat-chasing and subtle matte textures. The elaborate chinoiserie decoration includes plumed birds, long feathered leaves and berries, with one bird holding a berry in its beak. A matte border with undulating puff-like peaks encircles the lower portion of the mug, adding texture and depth to the design. The bombe shape and reeded neck are balanced by these intricate designs, creating a harmonious and elegant work of art.
Dorothy Grant, the widow of William Grant, continued her husband’s craft after his death in 1677, a practice common among women goldsmiths of the time. She would go on to take two of her sons as apprentices, keeping the profession within the family. This item signifies Grant’s status as a goldsmith working independently, highlighting her role in London’s goldsmithing community. This particular mug is an extraordinary example of her craftsmanship, combining both artistic merit and historical significance. This mug was once part of the iconic Red McCombs Collection, which has been highly publicized and studied.
3 3/8" high x 4 1/2" diameter
Provenance:
M.S. Rau, New Orleans
Red McCombs Collection, Texas
M.S. Rau, New Orleans
Silver Mug
Dorothy Grant
Hallmarked London, 1680
This exceptional Charles II silver mug, created by Dorothy Grant, showcases the rare work of a female goldsmith in the late 17th century. The mug's distinctive bombe form, featuring a reeded cylindrical neck, was inspired by Chinese Yixing stoneware which influenced London styles during this period. Decorated with exquisite chinoiserie, the mug’s surface depicts exotic birds and delicate leaves that epitomize the imaginative blend of Eastern and Western aesthetics prevalent in the 1680s.
Visually, this mug is a striking combination of detailed flat-chasing and subtle matte textures. The elaborate chinoiserie decoration includes plumed birds, long feathered leaves and berries, with one bird holding a berry in its beak. A matte border with undulating puff-like peaks encircles the lower portion of the mug, adding texture and depth to the design. The bombe shape and reeded neck are balanced by these intricate designs, creating a harmonious and elegant work of art.
Dorothy Grant, the widow of William Grant, continued her husband’s craft after his death in 1677, a practice common among women goldsmiths of the time. She would go on to take two of her sons as apprentices, keeping the profession within the family. This item signifies Grant’s status as a goldsmith working independently, highlighting her role in London’s goldsmithing community. This particular mug is an extraordinary example of her craftsmanship, combining both artistic merit and historical significance. This mug was once part of the iconic Red McCombs Collection, which has been highly publicized and studied.
3 3/8" high x 4 1/2" diameter
Provenance:
M.S. Rau, New Orleans
Red McCombs Collection, Texas
M.S. Rau, New Orleans
Dorothy Grant
Hallmarked London, 1680
This exceptional Charles II silver mug, created by Dorothy Grant, showcases the rare work of a female goldsmith in the late 17th century. The mug's distinctive bombe form, featuring a reeded cylindrical neck, was inspired by Chinese Yixing stoneware which influenced London styles during this period. Decorated with exquisite chinoiserie, the mug’s surface depicts exotic birds and delicate leaves that epitomize the imaginative blend of Eastern and Western aesthetics prevalent in the 1680s.
Visually, this mug is a striking combination of detailed flat-chasing and subtle matte textures. The elaborate chinoiserie decoration includes plumed birds, long feathered leaves and berries, with one bird holding a berry in its beak. A matte border with undulating puff-like peaks encircles the lower portion of the mug, adding texture and depth to the design. The bombe shape and reeded neck are balanced by these intricate designs, creating a harmonious and elegant work of art.
Dorothy Grant, the widow of William Grant, continued her husband’s craft after his death in 1677, a practice common among women goldsmiths of the time. She would go on to take two of her sons as apprentices, keeping the profession within the family. This item signifies Grant’s status as a goldsmith working independently, highlighting her role in London’s goldsmithing community. This particular mug is an extraordinary example of her craftsmanship, combining both artistic merit and historical significance. This mug was once part of the iconic Red McCombs Collection, which has been highly publicized and studied.
3 3/8" high x 4 1/2" diameter
Provenance:
M.S. Rau, New Orleans
Red McCombs Collection, Texas
M.S. Rau, New Orleans
$7,450.00
Charles II Silver Mug by Dorothy Grant—
$7,450.00
Description
Silver Mug
Dorothy Grant
Hallmarked London, 1680
This exceptional Charles II silver mug, created by Dorothy Grant, showcases the rare work of a female goldsmith in the late 17th century. The mug's distinctive bombe form, featuring a reeded cylindrical neck, was inspired by Chinese Yixing stoneware which influenced London styles during this period. Decorated with exquisite chinoiserie, the mug’s surface depicts exotic birds and delicate leaves that epitomize the imaginative blend of Eastern and Western aesthetics prevalent in the 1680s.
Visually, this mug is a striking combination of detailed flat-chasing and subtle matte textures. The elaborate chinoiserie decoration includes plumed birds, long feathered leaves and berries, with one bird holding a berry in its beak. A matte border with undulating puff-like peaks encircles the lower portion of the mug, adding texture and depth to the design. The bombe shape and reeded neck are balanced by these intricate designs, creating a harmonious and elegant work of art.
Dorothy Grant, the widow of William Grant, continued her husband’s craft after his death in 1677, a practice common among women goldsmiths of the time. She would go on to take two of her sons as apprentices, keeping the profession within the family. This item signifies Grant’s status as a goldsmith working independently, highlighting her role in London’s goldsmithing community. This particular mug is an extraordinary example of her craftsmanship, combining both artistic merit and historical significance. This mug was once part of the iconic Red McCombs Collection, which has been highly publicized and studied.
3 3/8" high x 4 1/2" diameter
Provenance:
M.S. Rau, New Orleans
Red McCombs Collection, Texas
M.S. Rau, New Orleans
Dorothy Grant
Hallmarked London, 1680
This exceptional Charles II silver mug, created by Dorothy Grant, showcases the rare work of a female goldsmith in the late 17th century. The mug's distinctive bombe form, featuring a reeded cylindrical neck, was inspired by Chinese Yixing stoneware which influenced London styles during this period. Decorated with exquisite chinoiserie, the mug’s surface depicts exotic birds and delicate leaves that epitomize the imaginative blend of Eastern and Western aesthetics prevalent in the 1680s.
Visually, this mug is a striking combination of detailed flat-chasing and subtle matte textures. The elaborate chinoiserie decoration includes plumed birds, long feathered leaves and berries, with one bird holding a berry in its beak. A matte border with undulating puff-like peaks encircles the lower portion of the mug, adding texture and depth to the design. The bombe shape and reeded neck are balanced by these intricate designs, creating a harmonious and elegant work of art.
Dorothy Grant, the widow of William Grant, continued her husband’s craft after his death in 1677, a practice common among women goldsmiths of the time. She would go on to take two of her sons as apprentices, keeping the profession within the family. This item signifies Grant’s status as a goldsmith working independently, highlighting her role in London’s goldsmithing community. This particular mug is an extraordinary example of her craftsmanship, combining both artistic merit and historical significance. This mug was once part of the iconic Red McCombs Collection, which has been highly publicized and studied.
3 3/8" high x 4 1/2" diameter
Provenance:
M.S. Rau, New Orleans
Red McCombs Collection, Texas
M.S. Rau, New Orleans
