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Les travestis by Erté
Erté (Romain de Tirtoff)
1892-1990 | Russian-French
Les travestis (The Transvestites)
Signed “Erté” (lower right)
Inscribed "No. 18.363 / Moi, j'aime le music-hall / Les Travestis" (en verso)
Gouache on paper
Erté’s costume for Les travestis is indicative of the ever-modernizing social fabric of Paris. The city’s reputation as a haven for free thinkers and artists attracted people from all walks of life, including those with non-conventional gender expressions. Crossdressing in theater and cabaret performances of the early 20th century challenged the rigidity of gender norms, paving the way for later advancements in equality.
The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1974
Paper: 14 3/4" high x 10 5/8" wide
Frame: 20 3/4" high x 16 7/8" wide x 5/8" deep
Provenance:
Private collection of Roland Petit and Zizi Jeanmaire, Paris
Private collection, Paris
M.S. Rau, New Orleans
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
1892-1990 | Russian-French
Les travestis (The Transvestites)
Signed “Erté” (lower right)
Inscribed "No. 18.363 / Moi, j'aime le music-hall / Les Travestis" (en verso)
Gouache on paper
Erté’s costume for Les travestis is indicative of the ever-modernizing social fabric of Paris. The city’s reputation as a haven for free thinkers and artists attracted people from all walks of life, including those with non-conventional gender expressions. Crossdressing in theater and cabaret performances of the early 20th century challenged the rigidity of gender norms, paving the way for later advancements in equality.
The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1974
Paper: 14 3/4" high x 10 5/8" wide
Frame: 20 3/4" high x 16 7/8" wide x 5/8" deep
Provenance:
Private collection of Roland Petit and Zizi Jeanmaire, Paris
Private collection, Paris
M.S. Rau, New Orleans
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
Erté (Romain de Tirtoff)
1892-1990 | Russian-French
Les travestis (The Transvestites)
Signed “Erté” (lower right)
Inscribed "No. 18.363 / Moi, j'aime le music-hall / Les Travestis" (en verso)
Gouache on paper
Erté’s costume for Les travestis is indicative of the ever-modernizing social fabric of Paris. The city’s reputation as a haven for free thinkers and artists attracted people from all walks of life, including those with non-conventional gender expressions. Crossdressing in theater and cabaret performances of the early 20th century challenged the rigidity of gender norms, paving the way for later advancements in equality.
The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1974
Paper: 14 3/4" high x 10 5/8" wide
Frame: 20 3/4" high x 16 7/8" wide x 5/8" deep
Provenance:
Private collection of Roland Petit and Zizi Jeanmaire, Paris
Private collection, Paris
M.S. Rau, New Orleans
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
1892-1990 | Russian-French
Les travestis (The Transvestites)
Signed “Erté” (lower right)
Inscribed "No. 18.363 / Moi, j'aime le music-hall / Les Travestis" (en verso)
Gouache on paper
Erté’s costume for Les travestis is indicative of the ever-modernizing social fabric of Paris. The city’s reputation as a haven for free thinkers and artists attracted people from all walks of life, including those with non-conventional gender expressions. Crossdressing in theater and cabaret performances of the early 20th century challenged the rigidity of gender norms, paving the way for later advancements in equality.
The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1974
Paper: 14 3/4" high x 10 5/8" wide
Frame: 20 3/4" high x 16 7/8" wide x 5/8" deep
Provenance:
Private collection of Roland Petit and Zizi Jeanmaire, Paris
Private collection, Paris
M.S. Rau, New Orleans
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
$6,597.50
Original: $18,850.00
-65%Les travestis by Erté—
$18,850.00
$6,597.50Description
Erté (Romain de Tirtoff)
1892-1990 | Russian-French
Les travestis (The Transvestites)
Signed “Erté” (lower right)
Inscribed "No. 18.363 / Moi, j'aime le music-hall / Les Travestis" (en verso)
Gouache on paper
Erté’s costume for Les travestis is indicative of the ever-modernizing social fabric of Paris. The city’s reputation as a haven for free thinkers and artists attracted people from all walks of life, including those with non-conventional gender expressions. Crossdressing in theater and cabaret performances of the early 20th century challenged the rigidity of gender norms, paving the way for later advancements in equality.
The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1974
Paper: 14 3/4" high x 10 5/8" wide
Frame: 20 3/4" high x 16 7/8" wide x 5/8" deep
Provenance:
Private collection of Roland Petit and Zizi Jeanmaire, Paris
Private collection, Paris
M.S. Rau, New Orleans
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
1892-1990 | Russian-French
Les travestis (The Transvestites)
Signed “Erté” (lower right)
Inscribed "No. 18.363 / Moi, j'aime le music-hall / Les Travestis" (en verso)
Gouache on paper
Erté’s costume for Les travestis is indicative of the ever-modernizing social fabric of Paris. The city’s reputation as a haven for free thinkers and artists attracted people from all walks of life, including those with non-conventional gender expressions. Crossdressing in theater and cabaret performances of the early 20th century challenged the rigidity of gender norms, paving the way for later advancements in equality.
The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1974
Paper: 14 3/4" high x 10 5/8" wide
Frame: 20 3/4" high x 16 7/8" wide x 5/8" deep
Provenance:
Private collection of Roland Petit and Zizi Jeanmaire, Paris
Private collection, Paris
M.S. Rau, New Orleans
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
