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Thinking by Tamara de Lempicka
Tamara De Lempicka
1898-1980 | Polish
Thinking
Signed “Lempicka”(bottom right)
Pencil on paper
This enchanting pencil on paper by Tamara de Lempicka radiates Art Deco's signature blend of elegance and modernity, a movement that Lempicka defined in her esteemed career. This composition, entitled Thinking, displays Lempicka’s superb draftsmanship and her talent for capturing the essence of alluring femininity.
With fluid lines and bold minimalism, Lempicka confidently portrays a woman deeply immersed in thought while in a languid seated pose. Even without the facial features, Lempicka evokes a sense of introspection and sensuality, emphasizing the contours of the body to convey the subject's emotional depth and physical presence. Her talent seamlessly merges various modern art movements and design principles, capturing the streamlined sophistication of modern architecture with the more avant-garde nature of her fellow painters. This anonymous nude offers a rare glimpse into Lempicka’s unique vision as well as her fascinating artistic process.
Born in Poland in 1898, Lempicka’s life was marked by constant movement. At the beginning of the Russian Revolution, Tamara’s life was turned upside down, and she fled to Paris, where she found refuge for twenty years. Building on a love of art that began during a visit to Italy in her youth, Lempicka enrolled in Académie de la Grande Chaumière in Paris to study painting. Under the mentorship of famed avant-garde artists Maurice Denis and André Lhote, who introduced her to Cubism, Lempicka began exhibiting avant-garde art in Parisian salons in 1922. Lempicka won first prize at the Exposition Internationale des Beaux-Arts in 1927 with her iconic Cubist-Art Deco style, a year before this drawing was made.
With a resurgence of appreciation for the Art Deco period beginning in the 1960s, combined with the upcoming first major museum retrospective exhibition of her work in the United States at the de Young in San Francisco, Lempicka’s work is reaching new heights of acclaim in recent decades. Much of her work resides in collections worldwide, including the Metropolitan Museum of Art, the Musée des Beaux-Arts du Havre and the National Museum Warsaw, to name a few. Not only did Lempicka flout gender expectations by establishing a successful career as a fine artist and defying traditional artistic trends, but she also created a distinctive genre found only in her oeuvre.
Circa 1928
Paper: 9 7/8" high x 7 3/4" wide (25.08 x 19.69 cm)
Frame: 17 3/4" high x 15" wide x 1 1/8" deep (43.82 x 38.10 x 2.86 cm)
Provenance:
By descent, from the artist
1898-1980 | Polish
Thinking
Signed “Lempicka”(bottom right)
Pencil on paper
This enchanting pencil on paper by Tamara de Lempicka radiates Art Deco's signature blend of elegance and modernity, a movement that Lempicka defined in her esteemed career. This composition, entitled Thinking, displays Lempicka’s superb draftsmanship and her talent for capturing the essence of alluring femininity.
With fluid lines and bold minimalism, Lempicka confidently portrays a woman deeply immersed in thought while in a languid seated pose. Even without the facial features, Lempicka evokes a sense of introspection and sensuality, emphasizing the contours of the body to convey the subject's emotional depth and physical presence. Her talent seamlessly merges various modern art movements and design principles, capturing the streamlined sophistication of modern architecture with the more avant-garde nature of her fellow painters. This anonymous nude offers a rare glimpse into Lempicka’s unique vision as well as her fascinating artistic process.
Born in Poland in 1898, Lempicka’s life was marked by constant movement. At the beginning of the Russian Revolution, Tamara’s life was turned upside down, and she fled to Paris, where she found refuge for twenty years. Building on a love of art that began during a visit to Italy in her youth, Lempicka enrolled in Académie de la Grande Chaumière in Paris to study painting. Under the mentorship of famed avant-garde artists Maurice Denis and André Lhote, who introduced her to Cubism, Lempicka began exhibiting avant-garde art in Parisian salons in 1922. Lempicka won first prize at the Exposition Internationale des Beaux-Arts in 1927 with her iconic Cubist-Art Deco style, a year before this drawing was made.
With a resurgence of appreciation for the Art Deco period beginning in the 1960s, combined with the upcoming first major museum retrospective exhibition of her work in the United States at the de Young in San Francisco, Lempicka’s work is reaching new heights of acclaim in recent decades. Much of her work resides in collections worldwide, including the Metropolitan Museum of Art, the Musée des Beaux-Arts du Havre and the National Museum Warsaw, to name a few. Not only did Lempicka flout gender expectations by establishing a successful career as a fine artist and defying traditional artistic trends, but she also created a distinctive genre found only in her oeuvre.
Circa 1928
Paper: 9 7/8" high x 7 3/4" wide (25.08 x 19.69 cm)
Frame: 17 3/4" high x 15" wide x 1 1/8" deep (43.82 x 38.10 x 2.86 cm)
Provenance:
By descent, from the artist
Tamara De Lempicka
1898-1980 | Polish
Thinking
Signed “Lempicka”(bottom right)
Pencil on paper
This enchanting pencil on paper by Tamara de Lempicka radiates Art Deco's signature blend of elegance and modernity, a movement that Lempicka defined in her esteemed career. This composition, entitled Thinking, displays Lempicka’s superb draftsmanship and her talent for capturing the essence of alluring femininity.
With fluid lines and bold minimalism, Lempicka confidently portrays a woman deeply immersed in thought while in a languid seated pose. Even without the facial features, Lempicka evokes a sense of introspection and sensuality, emphasizing the contours of the body to convey the subject's emotional depth and physical presence. Her talent seamlessly merges various modern art movements and design principles, capturing the streamlined sophistication of modern architecture with the more avant-garde nature of her fellow painters. This anonymous nude offers a rare glimpse into Lempicka’s unique vision as well as her fascinating artistic process.
Born in Poland in 1898, Lempicka’s life was marked by constant movement. At the beginning of the Russian Revolution, Tamara’s life was turned upside down, and she fled to Paris, where she found refuge for twenty years. Building on a love of art that began during a visit to Italy in her youth, Lempicka enrolled in Académie de la Grande Chaumière in Paris to study painting. Under the mentorship of famed avant-garde artists Maurice Denis and André Lhote, who introduced her to Cubism, Lempicka began exhibiting avant-garde art in Parisian salons in 1922. Lempicka won first prize at the Exposition Internationale des Beaux-Arts in 1927 with her iconic Cubist-Art Deco style, a year before this drawing was made.
With a resurgence of appreciation for the Art Deco period beginning in the 1960s, combined with the upcoming first major museum retrospective exhibition of her work in the United States at the de Young in San Francisco, Lempicka’s work is reaching new heights of acclaim in recent decades. Much of her work resides in collections worldwide, including the Metropolitan Museum of Art, the Musée des Beaux-Arts du Havre and the National Museum Warsaw, to name a few. Not only did Lempicka flout gender expectations by establishing a successful career as a fine artist and defying traditional artistic trends, but she also created a distinctive genre found only in her oeuvre.
Circa 1928
Paper: 9 7/8" high x 7 3/4" wide (25.08 x 19.69 cm)
Frame: 17 3/4" high x 15" wide x 1 1/8" deep (43.82 x 38.10 x 2.86 cm)
Provenance:
By descent, from the artist
1898-1980 | Polish
Thinking
Signed “Lempicka”(bottom right)
Pencil on paper
This enchanting pencil on paper by Tamara de Lempicka radiates Art Deco's signature blend of elegance and modernity, a movement that Lempicka defined in her esteemed career. This composition, entitled Thinking, displays Lempicka’s superb draftsmanship and her talent for capturing the essence of alluring femininity.
With fluid lines and bold minimalism, Lempicka confidently portrays a woman deeply immersed in thought while in a languid seated pose. Even without the facial features, Lempicka evokes a sense of introspection and sensuality, emphasizing the contours of the body to convey the subject's emotional depth and physical presence. Her talent seamlessly merges various modern art movements and design principles, capturing the streamlined sophistication of modern architecture with the more avant-garde nature of her fellow painters. This anonymous nude offers a rare glimpse into Lempicka’s unique vision as well as her fascinating artistic process.
Born in Poland in 1898, Lempicka’s life was marked by constant movement. At the beginning of the Russian Revolution, Tamara’s life was turned upside down, and she fled to Paris, where she found refuge for twenty years. Building on a love of art that began during a visit to Italy in her youth, Lempicka enrolled in Académie de la Grande Chaumière in Paris to study painting. Under the mentorship of famed avant-garde artists Maurice Denis and André Lhote, who introduced her to Cubism, Lempicka began exhibiting avant-garde art in Parisian salons in 1922. Lempicka won first prize at the Exposition Internationale des Beaux-Arts in 1927 with her iconic Cubist-Art Deco style, a year before this drawing was made.
With a resurgence of appreciation for the Art Deco period beginning in the 1960s, combined with the upcoming first major museum retrospective exhibition of her work in the United States at the de Young in San Francisco, Lempicka’s work is reaching new heights of acclaim in recent decades. Much of her work resides in collections worldwide, including the Metropolitan Museum of Art, the Musée des Beaux-Arts du Havre and the National Museum Warsaw, to name a few. Not only did Lempicka flout gender expectations by establishing a successful career as a fine artist and defying traditional artistic trends, but she also created a distinctive genre found only in her oeuvre.
Circa 1928
Paper: 9 7/8" high x 7 3/4" wide (25.08 x 19.69 cm)
Frame: 17 3/4" high x 15" wide x 1 1/8" deep (43.82 x 38.10 x 2.86 cm)
Provenance:
By descent, from the artist
$39,850.00
Thinking by Tamara de Lempicka—
$39,850.00
Description
Tamara De Lempicka
1898-1980 | Polish
Thinking
Signed “Lempicka”(bottom right)
Pencil on paper
This enchanting pencil on paper by Tamara de Lempicka radiates Art Deco's signature blend of elegance and modernity, a movement that Lempicka defined in her esteemed career. This composition, entitled Thinking, displays Lempicka’s superb draftsmanship and her talent for capturing the essence of alluring femininity.
With fluid lines and bold minimalism, Lempicka confidently portrays a woman deeply immersed in thought while in a languid seated pose. Even without the facial features, Lempicka evokes a sense of introspection and sensuality, emphasizing the contours of the body to convey the subject's emotional depth and physical presence. Her talent seamlessly merges various modern art movements and design principles, capturing the streamlined sophistication of modern architecture with the more avant-garde nature of her fellow painters. This anonymous nude offers a rare glimpse into Lempicka’s unique vision as well as her fascinating artistic process.
Born in Poland in 1898, Lempicka’s life was marked by constant movement. At the beginning of the Russian Revolution, Tamara’s life was turned upside down, and she fled to Paris, where she found refuge for twenty years. Building on a love of art that began during a visit to Italy in her youth, Lempicka enrolled in Académie de la Grande Chaumière in Paris to study painting. Under the mentorship of famed avant-garde artists Maurice Denis and André Lhote, who introduced her to Cubism, Lempicka began exhibiting avant-garde art in Parisian salons in 1922. Lempicka won first prize at the Exposition Internationale des Beaux-Arts in 1927 with her iconic Cubist-Art Deco style, a year before this drawing was made.
With a resurgence of appreciation for the Art Deco period beginning in the 1960s, combined with the upcoming first major museum retrospective exhibition of her work in the United States at the de Young in San Francisco, Lempicka’s work is reaching new heights of acclaim in recent decades. Much of her work resides in collections worldwide, including the Metropolitan Museum of Art, the Musée des Beaux-Arts du Havre and the National Museum Warsaw, to name a few. Not only did Lempicka flout gender expectations by establishing a successful career as a fine artist and defying traditional artistic trends, but she also created a distinctive genre found only in her oeuvre.
Circa 1928
Paper: 9 7/8" high x 7 3/4" wide (25.08 x 19.69 cm)
Frame: 17 3/4" high x 15" wide x 1 1/8" deep (43.82 x 38.10 x 2.86 cm)
Provenance:
By descent, from the artist
1898-1980 | Polish
Thinking
Signed “Lempicka”(bottom right)
Pencil on paper
This enchanting pencil on paper by Tamara de Lempicka radiates Art Deco's signature blend of elegance and modernity, a movement that Lempicka defined in her esteemed career. This composition, entitled Thinking, displays Lempicka’s superb draftsmanship and her talent for capturing the essence of alluring femininity.
With fluid lines and bold minimalism, Lempicka confidently portrays a woman deeply immersed in thought while in a languid seated pose. Even without the facial features, Lempicka evokes a sense of introspection and sensuality, emphasizing the contours of the body to convey the subject's emotional depth and physical presence. Her talent seamlessly merges various modern art movements and design principles, capturing the streamlined sophistication of modern architecture with the more avant-garde nature of her fellow painters. This anonymous nude offers a rare glimpse into Lempicka’s unique vision as well as her fascinating artistic process.
Born in Poland in 1898, Lempicka’s life was marked by constant movement. At the beginning of the Russian Revolution, Tamara’s life was turned upside down, and she fled to Paris, where she found refuge for twenty years. Building on a love of art that began during a visit to Italy in her youth, Lempicka enrolled in Académie de la Grande Chaumière in Paris to study painting. Under the mentorship of famed avant-garde artists Maurice Denis and André Lhote, who introduced her to Cubism, Lempicka began exhibiting avant-garde art in Parisian salons in 1922. Lempicka won first prize at the Exposition Internationale des Beaux-Arts in 1927 with her iconic Cubist-Art Deco style, a year before this drawing was made.
With a resurgence of appreciation for the Art Deco period beginning in the 1960s, combined with the upcoming first major museum retrospective exhibition of her work in the United States at the de Young in San Francisco, Lempicka’s work is reaching new heights of acclaim in recent decades. Much of her work resides in collections worldwide, including the Metropolitan Museum of Art, the Musée des Beaux-Arts du Havre and the National Museum Warsaw, to name a few. Not only did Lempicka flout gender expectations by establishing a successful career as a fine artist and defying traditional artistic trends, but she also created a distinctive genre found only in her oeuvre.
Circa 1928
Paper: 9 7/8" high x 7 3/4" wide (25.08 x 19.69 cm)
Frame: 17 3/4" high x 15" wide x 1 1/8" deep (43.82 x 38.10 x 2.86 cm)
Provenance:
By descent, from the artist
